There are 9 compositions on "Peter Paradox", the author of all texts is Peter Mlakar. The lyrics are written in Slovene, English, German and Italian, the author of music and all arrangements is Iztok Turk aka 300 000 Verschiedene Krawalle. The album was designed by Ervin Markošek and the cover photo was provided by Igor Andjelić. The album's red thread is a paradoxical phenomenon and the behavior of Absolute in the world, that is, the category that we call the word Infinite-indeterminate or God. The recording of the album was also attended by renowned Slovenian soprano Sabina Cvilak.
1. Das schöne, das gute, das wahre [3:21] 2. Paradosso misterioso [4:33] 3. S+C [6:20] 4. La consolazione [4:32] 5. Smisel [5:36] 6. Carnales Nihilismus [4:05] 7. Zona erogena [3:26] 8. Beyond Death [5:48] 9. Dobro [4:50]
02. Slime On 45 Medley: Wir Wollen Keine (Instrumental) / A.C.A.B. / Legal Illegal Scheißegal / Gerechtigkeit / Alle Gegen Alle / Religion / Alptraum / Störtebeker / Sie Wollen Wieder Schiessen (Dürfen) / Wir Geben Nicht Nach / Schweineherbst / Deutschland [8:36]
(2019) Celebrating a momentous 10 years as a band in 2018, The Rumjacks toured right across the globe for most of the year around the release of their latest studio album "Saints Preserve Us". When the band arrived in Greece on 3rd November 2018, they played their one of their biggest ever headline shows to date at the Piraeus 177 Academy in Athens! The energy in the hall that night was electric, and thankfully, the entire show was captured as a live recording. "Live in Athens" is The Rumjacks first ever live album release. 21 blistering songs featuring so many fan favourite songs from their 10+ year career such as "An Irish Pub Song", "Plenty", "A Fistful O’ Roses", "My Time Again", and so many more.
"Käferzeit" (the time of beetles) is the first instalment in a series of releases featuring exclusively martial ambient material and "industrial" collages, partially reminiscent of earlier ROME works such as "Hate us and see if we mind" (2013), "A Passage to Rhodesia" (2014) or parts of the "Die Aesthetik der Herrschaftsfreiheit" trilogy (2011). Whereas ROME's oeuvre usually features lots of guitar work, "Käferzeit" focuses on complex industrial loops, unconventional bruitist arrangements and instrumental ambient collages. The images evoked by these martial soundscapes (mostly made of restored period audio material and found sounds) transport us back to Europe's blood-drenched past, when ideologies were still battling each other to the death on European soil. Images of armoured creatures digging foxholes in a landscape ravaged by war; of the futility of defending trenches against murderous incursions, as shells tear bodies apart, souls apart.